Jordan Black enjoys a varied schedule of solo, chamber and orchestral engagements. He has appeared as Guest Principal with the Philharmonia Orchestra, London Chamber Orchestra and Royal Scottish National Orchestra, alongside work for the London Philharmonic, Royal Philharmonic, London Sinfonietta and City Chamber Orchestra of Hong Kong.
As a student, Jordan reached the Woodwind Final of the BBC Young Musician 2012. Since then, he has appeared as soloist with the Orchestra of the Swan, the London Mozart Players and the Bristol Ensemble. In summer 2014, he joined the New English Concert Orchestra as soloist for a series of open-air concerts, performing to a combined audience of over 30,000 people, at stately homes around the country.
A passionate chamber musician, Jordan has performed at the Wigmore Hall, Clarence House, St Martin in the Fields, the Purcell Room and Brazil's Festival de Inverno. He has appeared with members of the London Chamber Orchestra, London Conchord Ensemble, Ensemble Cymru and Notus Winds. He also features on a new recording of compositions by Buxton Orr alongside tenor Nicky Spence and members of the Edinburgh Quartet.
Jordan trained at the Purcell School, Royal College of Music Junior Department and as a full-scholar at the Royal Academy of Music, where he graduated with First-Class Honours. He went on to hold a Chamber Music Fellowship at the Royal Academy of Music. His teachers have included Timothy Lines, Mark van de Wiel, Andrew Marriner, Patrick Messina and Guy Cowley. More recently, he has studied with Yehuda Gilad in Sweden and Los Angeles.
Away from the concert platform, outreach and teaching projects form an important part of Jordan's musical philosophy. He has given workshops in schools for the Concordia Foundation, mentored young composers on the Sound and Music Summer School and taught on the National Youth Orchestra of Kenya Residential Scheme. He currently teaches privately in London and coaches chamber music at the Royal Academy of Music Junior Department.
Jordan Black would like to acknowledge the generous support given by the Hattori Foundation, Martin Music Scholarship Fund, David and Mary Bowerman, John and Rosemary Lancaster and the EMI Music Sound Foundation.